The two superb sopranos, Sabine Devieilhe (whose solo album with Pygmalion has also been in my ears recently) and Hana Blažíková, lead the topmost sections of Choir I and II, respectively, as well as splitting the soprano arias. As the finishing touch, fifteen young singers from the Maîtrise de Radio France take the chorale tunes woven into the complex textures of the opening and closing movements of Part I, a part marked by Bach as "soprani in ripieno." The solo parts range from very good to excellent, with soloists from each choir taking the arias as Bach indicated and some of the characters named in dialogues given to other chorus members. Pichon calls this "a consciously choral performance," with the solo singers also serving as section leaders in what is an exquisite choral sound. Matthew Passion for our tenth birthday." That is exactly what happened in 2016, with most of the musicians who ended up being recorded on this excellent set at sessions in April 2021 at the Philharmonie de Paris. As Pichon put it in an interview about their newest recording, "When I founded Pygmalion, I had a single certainty, one big dream: that we would give our first St. The group has released some fine Bach discs over the years, all with a specific goal in mind. Although they have yet to make the trip to Washington, we have had plenty of chances to hear them via stream and recording. Raphaël Pichon's ensemble Pygmalion, founded in 2006, is another early music group I have been following closely in recent years.
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